The course starts right from the beginning, with taking a tour of the workspace. With panLab, you can utilise the power of spatial audio mixing, without adding any additional hardware or software to your sound system, and without any additional changes to the rest of your workflow.In this 10-part course, you will learn all the key elements of the sound functions in Qlab 4. The beauty of this workflow, is that it is not necessary to run panLab during performances, only whilst you are programming your audio. Simply draw automation onto the panLab panner and panLab will print the result to QLab. Sequences of movements, which would have otherwise taken hours to produce, can be created in seconds using panLab. Maps are configured using simple drag and drop tools, with speakers representing QLab cue outputs.Ĭues can be dropped onto the map, and their output levels are updated accordingly. PanLab has been designed to be incredibly quick to setup and simple to use. How To: use panLab to build spatial audio maps, in which you can place your QLab cues.Ī map could be as simple as a quad panner, or as complex as an entire theatrical sound system. To download a free trail of panLab 2, go to: Totally brilliant and a game changer.” Tom Marshall – Freelance Sound Designer, Amelie, Sunset Blvd, The Colour Purple, The Boy In The Dress panLab has given me automated control in a user-friendly program. “For years, I’ve been manipulating sounds around outputs the old-fashioned way, using multiple time and level cues. panLab 2 is an excellent tool and it will accompany me on all my sound designs from now on.” Avgoustos Psillas – Lead Sound Designer, Audio Craft Scandinavia “Having used Soundscape, I feel that panLab 2 can run alongside it for dynamic panning of all QLab sources whilst Soundscape takes care of the live sources. It allows me to create complex surround sound panning sequences, such as the motorbike roaring round the auditorium in ‘Bat Out Of Hell’, without any additional third party hardware.” Gareth Owen – Eight-time Tony and Olivier winning and nominated sound designer “I have been incredibly impressed with panLab. The panLab 2 OSC dictionary allows the user to control most commonly used parameters using third party software, such as the popular TouchOSC app for iPad. Users can free themselves from their production desk by using the OSC protocol to remotely control panLab 2. Sequences can also be recorded live, with all timing offsets stored back to QLab for precise reproduction. Every detail has been thought through, including the ability to modify the speed of sequences both proportionally, and by adjusting to a constant speed of movement. Users are able to draw trajectories straight onto the panner, with panLab 2 translating that data into fade cues created in the QLab workspace. Sequences of movements that would have taken hours to program using QLab alone can be created in seconds using panLab 2. These include Circus Days and Nights, a new opera by Philip Glass, and MATILDA the musical at the Royal Theatre of Copenhagen. Sound Designer Avgoustos Psillas has been so impressed with his experience with panLab 2 that he has already specified the software for his upcoming productions. The software has been in beta since early 2021 and has already been used on Sound of Music at the National Theatre of Stockholm. They have combined their skills to create a product that completely reimagines how sound designers can create content in the live audio environment. Daniel Higgott is a software developer and live sound engineer. Oscar Higgott is a physicist, specialising in quantum computing. PanLab 2 has been developed in London, England by Innovate Audio and their directors Daniel Higgott and Oscar Higgott. Available from early May as a macOS app, panLab 2 adds powerful, intuitive and user-friendly spatial audio capabilities to the QLab workflow. Innovate Audio have announced panLab 2, a game-changing spatial sound design and mixing tool, designed to integrate seamlessly with QLab.
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